Monday, June 15, 2009

Judo 6-14-09


Pat allowed me to do a make-up Judo lesson last night since I had to miss Saturday. I am way more a morning person than an evening person anyway, and hauling my butt out to the dojo after a lazy Sunday afternoon wasn't easy!


We started by learning a new exercise to get us ready for the many falls we would take from hip throws during the lesson. Pat called it "oozing" - one guy gets on hands and knees while the other wraps an arm around him and falls over him in a slow, controlled manner.


We moved on to a new (to me) entry into hip throws. "The middle one" is what we were calling it. It happens not on uke's forward or backward step, but tori causes him to step "around the corner" for this entry. It was kind of like the version of kosotogari we worked on recently.


From this off balance, we worked on ukigoshi, ogoshi, and koshi guruma, or the "not enough butt", "crack of the butt", and "too much butt" hip throws, as Pat called them. Since I was first exposed to them, hip throws have been tough for me. They always cause me to feel like I have a learning disability! It's times like last night I'm very thankful I have a patient teacher. Ukigoshi gives me the most fits, I think, but after several different explanations and analogies, I started to get it a little better. Things for me to remember: 1) clamp uke to me before bending over. 2) ukigoshi makes uke spin on my hip like a propeller, ogoshi rolls him around my hip, across my kidney, and koshi guruma rolls him along the line of my belt. 3) for the floating part of ukigoshi, I need to just try to get his feet up and place them behind me. 4) I need to learn to recognize when the "T" (or "L") is made with our feet - that's the time for whichever hip throw to happen.


Next we did a much-needed review of yellow and green belt escapes. 4 escapes from kesa: Leg entanglement, sit up, uphill, and bridge-n-roll. 4 escapes from mune: Bridge-n-roll, Shrimping (elbow-to-knee), leg entanglement, and spin-out. 2 escapes from katagatame: Uphill (millstone variant), and legs-over. 3 escapes from kamishiho: Bridge-n-roll, spin-out, and double bridge-n-roll.


We took a look at the Trap-and-Roll variants presented in lesson 1 of the Gracie Combatives DVDs, and the principle behind all those variants. My nephew and I were having trouble with the "punch block" variation, so Pat went over some tips for that one that I think will help us. I observed how in these DVDs, the Gracies seem to be developing kata, even though they're not calling them that, particularly with their "Fight Simulation Drills". We talked about how even though those specific attacks may not show up in real life, they demonstrate the underlying principles. Just like kata! Pat wrote a neat post on this concept earlier this year. Read it here.


I was BEAT after the lesson last night, and I'm still feeling it today.

Thursday, June 11, 2009

Thursday Thoughts 6-11-09

I was listening to one of my favorite podcasts yesterday: Practical Defense by Alex Haddox. The topic of the episode I was listening to was "Terrorism Survival", and he gave some tips that may increase your odds in the unlikely event you're ever present during a terrorist attack (or any "active shooter" situation). Mr. Haddox stressed that odds are, you and I will not find ourselves in that situation. The statement that follows is probably not original to him, but when I heard it, it summed up why I began training in the martial arts in the first place:

"It's better to have knowledge and not need it, than to need the knowledge and not have it."

My shorthand answer to people who regularly question my motivation for self-defense training has become "Just in case." I could go into statistics, or examples of when I've needed (or very easily could have needed) self-defense skills, and I will if they're interested. But for me, it all boils down to Mr. Haddox's statement above.

Wednesday, June 10, 2009

US Customs is After My Pocketknife!

I just got word that the US Customs department has DENIED an extension on their absurd 30-day Request for Comment on their ridiculous redefinition of a switchblade. To make a long story short, this new definition would make 80% of pocketknives illegal.


For the whole story, please visit http://www.kniferights.org/ (just click the button on the top-right side of this blog). There, you can find more details AND suggestions on what YOU can do to join the fight for your Second Amendment rights ("arms" does not only mean guns)! But please hurry - the deadline for them to receive comments is June 21st! And they're only accepting snail mail! An obvious and despicable ploy to slip this one past us!


Please write to US Customs and your senators and representatives today. Kniferights.org has suggestions for letters. Visit this site to quickly find your congressmen. Emails are recommended to congressmen, as they'll receive them more sooner, and the clock is ticking!

Sunday, June 7, 2009

Study Group 6-7-09

Tonight my nephew Chase came over for some BJJ practice. We went through the entire first lesson of the Gracie Combatives DVD set. The lesson consisted of:

1. Basic Trap-and-Roll escape
2. Trap-and-Roll escape: Punch Block variation
3. Trap-and-Roll escape: Headlock variation
4. Open guard pass
5. Reflex Development Drill (drilling all the techniques above)

Here are a few of my observations:
- I need to get my hips more elevated in all variations of this escape
- Making the Punch Block variation look as smooth as the Gracie boys' demonstration of it is tough! I find I'm skipping pieces of it, and I'm having trouble making parts of it work without "bad guy" being overly compliant. That one will take the most work, I think.
- I think I will benefit from some solo drills of these techniques just to develop muscle memory.
- I think we did very well helping each other out rather than competing. We talked about the importance of being a good "bad guy" (giving good feedback, testing good guy's holds, techniques, etc).

We didn't do any randori tonight at all. We're going to commit to a more structured pattern of study. We'll still roll regularly, but we plan to prioritize our woodshedding time. It was a great time, and it lasted a little less than 2 hours. I think my hopes of having all 36 lessons down and ready to demonstrate by early next year were way too optimistic. This will take some time.

Aikido 6-6-09


Yesterday's aikido lesson began with tegatana no kata, as usual. I didn't really notice anything new with it this time. I do need to devote more time at home to walking. I've been slipping lately.
We moved on to releases 1-8. Once again, I feel like the last 4 are improving ever so slightly, little by little. The dojo's theme of the month for June is Otoshi/Guruma. To illustrate these principles, we stayed with release 3 for a while. Pat demonstrated the difference between catching release 3 on the otoshi timing vs catching it on the guruma timing. For a much better explanation of otoshi and guruma than I could give, see Pat's posts here:




Pat was able to help me out tremendously with release 7 by drawing a comparison to a particularly vicious flavor of gedanate we've been playing with lately. I think it kind of made it "click" (but I don't think I can explain it very well). He also showed me a very cool thing with the releases: by letting your free hand become the "doing" hand, you can turn the thing into a completely different release. Again, I don't think I can describe or explain this adequately in a post. It kinda blew my mind though.


We continued looking at otoshi and guruma for the rest of the lesson. I was glad for the extended look at these principles - I get the concept, but sometimes it takes me a while to really understand this stuff. I was excited because the throws we were getting out of these examples looked like the type of throws that made me want to practice aikido in the first place (uke is thrown into a forward roll).


Just as we did with judo, we discussed how I felt about the green belt material. I was 50% to my green belt requirement after yesterday's class.


Yellow belt material (improvement in previous belt's techniques is required): I feel like I've been improving in tegatana, one one bite at a time. Same for releases 1-4. We haven't worked on Junana/Nijusan 1-3 in a while, but I think I'll be okay there as well.


Green belt material: The only added requirements for green belt are releases 5-8 and Junana/Nijusan 3 and 4. I do feel as if I'm 50% ready to demonstrate releases 5-8. I don't think I have them down well enough if I were to test today, but I feel like I'm on pace. We've played with gedanate quite a bit since I became a yellow belt, so I think I'm on pace for that too. We've only played with ushiroate once, but Pat's version (slightly different from my previous dojo) makes way more sense to me, so I'm not too concerned about being ready for that one.


All in all I feel much better about my aikido that my judo. I have several weeks to work it all out though!

Saturday, June 6, 2009

Judo 6-6-09


We started this morning, as always, with the footsweep-to-control exercise. Then we played with a "drag-and-drop" version of kosotogari. The set-up for this kosoto is different from the one I knew - I originally learned the entry from a failed deashi barai, but this one's off-balance is more akin to the one for osotogari. Pat showed how this flavor of kosoto can work on a guy defending heavily against osotogari. We looked at how the "feeler" foot works into this sweep, and how sometimes it turns out being nidan kosotogari (sweeping both feet). I like this kosoto a lot. Feels awkward getting thrown with it. There's something cool about confusing uke by throwing him in a way he's not expecting.


We went over a new throw today: Ouchigari. We practiced this one by "stealing" our partners turn (when we're stepping on his "side"). The sweep was different for me, and a little confusing at first - I kept wanting to sweep his foot upward. Eventually I got the hang of it a little better. I have to remember (as uke) to watch for tori trying to immediately pass my guard when I'm thrown.


For the groundwork portion of the lesson, we went over hadakajime (rear naked choke). The entry was from an attack on a turtled opponent, being careful how you approach him so he can't do something to your legs. I need to keep in mind that the non-choking hand can help the choking arm by interfering with uke's defense so I can sink the choke.


After today's lesson I'm 55% toward the class requirements for green belt. Pat and I talked about whether I felt halfway comfortable with the green belt material. Here's how I'd break it down:


Yellow belt throws: I do feel like I've improved in those since my yellow belt demo.


Yellow belt groundwork: I think I've improved in the mobility cycle, but I actually think I've gone backwards with the escapes. I definitely need review work on those. I think a big part of that is the 6 or 7 week break I had to take earlier this year.


Green belt throws: I think we've only worked on kouchigari, ouchigari, and seoinage one time each, and we haven't looked at ogoshi yet. I feel like I'm at 0% for these!


Green belt groundwork: Here again, it's been so long since we covered the new stuff, I'm not confident at all with these techniques.


Don't get me wrong: I've had a blast developing a better understanding of the earlier material. And I'm not really in a huge hurry to get all this stuff by the time I reach my time requirement. I just like to gauge how I'm doing with the material for how long I've been training. Most of my lack is due to missing classes and just not having enough time to train like I should.

Friday, June 5, 2009

Words of Wisdom from Rener Gracie

I recently picked up the new Gracie Combatives DVD set (by Rener and Ryron Gracie). I'm only on disk 2, but I like it a LOT so far.

Rener said something that pertains to training (in all martial arts, I think) during one of their "reflex development drills" that I really like:

"The goal is not to simulate reality right now by going crazy. The goal is to prepare for reality by going slowly."

When my friends and I are playing around in our Judo/BJJ study groups, we tend to do everything all-out, and seldom slow down to analyze things. I think we're about to slow things down, commit more time to drills and a little less time to randori. "Fast is slow; slow is fast".

Rener and Ryron do a fantastic job of breaking things down into their simplest components. Maybe I'll do a full review of this set once I've seen it all. For now, let me just say this: As a newbie, I cannot recommend this DVD set highly enough, and it's a GREAT value at around $120 bucks.

Friday Night Videos, 6-5-09

Two videos today...one is martial arts related, and the other SHOULD be. I'm really digging the silly "Keyboard Cat" phenomenon on YouTube, haha.




Thursday, June 4, 2009

Thursday Thought 6-4-09

"You miss 100% of the shots you don't take"


~ Wayne Gretzky


~ Michael Scott


~ Todd


((Regular viewers of The Office will get this))

Tuesday, June 2, 2009

Aikido 5/30/09

We started the lesson with tegatana, as usual. It's so hard to think of too many things at once! This time I was focusing on my taisabaki and the direction of my following foot. I think my posture suffered because of it, and that was displayed by my lack of balance in the turns. I still love the kata though.

We went through Releases 1-8. Release 8 felt better to me than 5-8 have been lately. It felt more natural and less forced.

We camped out on Release 3 and Chain 3, just as we did last week. This time we looked at different iterations of wakigtame (near, far, different grips, etc). I was fussing over my grip, and Pat noted that my focus on the grip was screwing up my synchronization (with uke) in my steps. We spent most of the remaining time on kotegaeshi. We looked at "ratcheting" uke's arm while taking the slack out. Not a forceful thing at all. Really neat. It creates a situation in which uke's efforts to improve his position actually worsen it. There are many directions of "slack" you can take out of uke's arm - all long the range of motion for each joint. We also looked at the unbendable arm's role in kotegaeshi. Subtle, crazy stuff!!